By
Charles A. Smith
"When The Drum Is Beating," from filmmaker Whitney Dow, is a documentary about the life of an extraordinary people, country, and band. The country is Haiti, the people are Haitians, and the band is Septentrional, known fondly in Haiti as Septen. For 60 years, this 20 member band has filled the hearts of the Haitian people with joy and their remarkable sound. The country has certainly seen its share of hardships since its inception, but the people of Haiti, who are resilient and proud, have always had their music. Even slaves in chains prior to the revolution in 1804 danced and sang, illustrating the points that there is always hope as long as the heart endures and also, that freedom is a state of mind.
This sensational and highly uplifting film gives insights into the history of a great people, their traditions, and the culture of Haiti. The breathtaking cinematography shows Haiti as it was, is, and provides a look at what it could become. The light that is shed on the lives of the Septen musicians and their struggles is candid and revealing, giving the viewer one of the most factual and touching first hand look at the magic in the midst of chaos. Though Septentrional is clearly talented, they too suffer to create the music that so many love and can find solace in. I really loved Septen's music, which is played throughout the documentary, which is in French with subtitles, giving it an authentic feel. My heart really goes out to these people who have gone through so much, but continue to remain true to their traditions, relying on music to feed their souls during dark and perilous times.
I don't believe that anyone can watch this gripping and heart warming film and just turn the television off and forget about these people, this country, or this band. This is one film that becomes a part of you, claiming a place in your heart and mind. There are so many different emotions evoked by "When The Drum Is Beating," that you will wonder how Dow was able to make you feel them all in such a short amount of time, but this is a fine piece of work that deserves to be heralded at the highest levels.
The Entertainment Bank showcases the best movies and documentaries for your viewing pleasure.Why? Because a picture is word a thousand words.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Monday, May 28, 2012
Friday, April 27, 2012
CD Review: Dark Shadows (Original Score)
By
Paul Anderson
Fans of the original ABC afternoon series may remember the familiar flute theme of Dark Shadows, which played as Dan Curtis announced the latest events of Collinwood with a soft spoken narrative. Danny Elfman effectively uses the alto flute to begin “The Prologue” (track 1), setting the right tone for Dark Shadows. Mr. Elfman's score begins with the nostalgic and expands to epic proportions. The Prologue is the longest composition on the original score and, in it, the composer explores a vast range of dynamic colorful textures and effects with the symphonic orchestra and choir. The piece ends with a dark foreboding, taking us into Dark Shadows indeed.
During the "Resurrection" scene (track 2), the use of sonic clusters and rhythmic effects with the string sections and low thumps of sub tone analog synthesizer pulses build to a frenzy and drop us into a "disquiet." A child’s vocals call out and are answered by the signature Dark Shadows flute, which entice and frighten simultaneously. Danny Elfman is a master of the art of cinematic imagery, wedded to the unexpected blends of orchestra and electronic textures which can be heard in "The End" (track 19). It almost sets up like a dance track, with fast strings driving us for one bar, joined by 16th note pulsing synthesizer pedal bass. Flutes, and vibraphone were a huge part of the sound pallet of the original series, again illustrating the significant role that music has always played in Dark Shadows). Elfman's textural explosions of sound sweep the listener away with larger than life symphonic power -- both live, and electronic. The breakdowns complement the editing as the dynamics of the cues cut through you as sharply as perhaps being bitten by Barnabas.
No matter what your opinion of the film is, the Original Score will thrill you.
Dark Shadows opens in theaters May 11, 2012.
Paul Anderson
Fans of the original ABC afternoon series may remember the familiar flute theme of Dark Shadows, which played as Dan Curtis announced the latest events of Collinwood with a soft spoken narrative. Danny Elfman effectively uses the alto flute to begin “The Prologue” (track 1), setting the right tone for Dark Shadows. Mr. Elfman's score begins with the nostalgic and expands to epic proportions. The Prologue is the longest composition on the original score and, in it, the composer explores a vast range of dynamic colorful textures and effects with the symphonic orchestra and choir. The piece ends with a dark foreboding, taking us into Dark Shadows indeed.
During the "Resurrection" scene (track 2), the use of sonic clusters and rhythmic effects with the string sections and low thumps of sub tone analog synthesizer pulses build to a frenzy and drop us into a "disquiet." A child’s vocals call out and are answered by the signature Dark Shadows flute, which entice and frighten simultaneously. Danny Elfman is a master of the art of cinematic imagery, wedded to the unexpected blends of orchestra and electronic textures which can be heard in "The End" (track 19). It almost sets up like a dance track, with fast strings driving us for one bar, joined by 16th note pulsing synthesizer pedal bass. Flutes, and vibraphone were a huge part of the sound pallet of the original series, again illustrating the significant role that music has always played in Dark Shadows). Elfman's textural explosions of sound sweep the listener away with larger than life symphonic power -- both live, and electronic. The breakdowns complement the editing as the dynamics of the cues cut through you as sharply as perhaps being bitten by Barnabas.
No matter what your opinion of the film is, the Original Score will thrill you.
Dark Shadows opens in theaters May 11, 2012.
Thursday, April 19, 2012
CD Review: Romance Language (Kirk Whalum)
By
Paul Anderson
Kirk Whalum's latest CD, "Romance Language" is significant for jazz. It brings jazz to music lovers who may never have heard John Coltrane, and Johnny Hartman's 1963 recording. Kirk is to Trane as his brother Kevin is to Hartman on this project. Kevin represents a new generation of vocalists who are finding fresh directions in jazz. Kirk's entire band brings ideas and arrangements that are clever, and effective. And yes, I really like the Eleanor Rigby quote on "Autumn Serenade!"
"Almost Doesn't Count", features Peanuts on vocals, Kirk's uncle of 83 years young, and he nails it! Jazz purists, I urge you to take a listen and be prepared to smile, because there is no gimmickry here -- just sincere performances and great artistry. This gentleman belongs right at the top where he is, and once again, bravo Mr. Whalum.
Note: Be sure to listen to the exclusive interview with Kirk Whalum, about "Romance Language" and much more on the Entertainment Bank. Coming soon!
Paul Anderson
Kirk Whalum's latest CD, "Romance Language" is significant for jazz. It brings jazz to music lovers who may never have heard John Coltrane, and Johnny Hartman's 1963 recording. Kirk is to Trane as his brother Kevin is to Hartman on this project. Kevin represents a new generation of vocalists who are finding fresh directions in jazz. Kirk's entire band brings ideas and arrangements that are clever, and effective. And yes, I really like the Eleanor Rigby quote on "Autumn Serenade!"
"Almost Doesn't Count", features Peanuts on vocals, Kirk's uncle of 83 years young, and he nails it! Jazz purists, I urge you to take a listen and be prepared to smile, because there is no gimmickry here -- just sincere performances and great artistry. This gentleman belongs right at the top where he is, and once again, bravo Mr. Whalum.
Note: Be sure to listen to the exclusive interview with Kirk Whalum, about "Romance Language" and much more on the Entertainment Bank. Coming soon!
Tuesday, April 17, 2012
CD Review: International (SONNY)
Pop artist SONNY, a former member of Nick Cannon’s group 4Count, has gone solo, releasing his debut album, “International,” which is sure to be a favorite among pop lovers and those who like good music in general. It’s nice to listen to an album that doesn’t have a bad cut on it, and indeed “International” fits that bill, which is quite rare. Every song is danceable, and makes you want to get on the dance floor and party until the CD is over. SONNY reminds me a bit of Justin Timberlake with his vocal style, and his voice is definitely one that listeners will enjoy. Hot beats, great hooks, and solid vocal performances that are just right for the music are the hallmark of “International,” and if this album doesn’t make you tap your foot, bob your head, or at least put you in better mood, then you’d better check your pulse because you just might be in trouble. Not to mention, he has the chops for a great ballad, which I hope we’ll hear from him soon.
The native Danish artist who has been a part the entertainment industry since childhood and now resides in Hollywood/Los Angeles, co-wrote the album with close friend and musical partner Thomas Lumpkins (aka Tommy Parker), who has received critical acclaim for his work with Janet Jackson, Britney Spears, and J Lo. While SONNY has released the first video for the CD, Bad Girl, and displays a few of his moves here as he has on Dancing With The Stars and America’s Got Talent, I’m looking forward to future videos where he showcases his dancing talents even more.
The bottom line is that “International” is a CD that’s worth purchasing, and all of the tracks are airplay quality. Do yourself a favor and listen to this young gift to the world of music. I’ll be keeping my eyes (and ears) on SONNY as he continues to develop in his career.
Thursday, April 5, 2012
Welcome To The Entertainment Bank!!!
Thank you for stopping by The Entertainment Bank. Please know that we’re a work in progress, with great things ahead. While we fully intend to be a major online magazine in the future, for now, we’re taking baby steps. Our goal is to find the best movies, and music from both major label and indie artists, and share those with you. We will also provide services such as press release writing, copyediting, one-sheets, EPKs, track and album reviews, and all forms of business writing – all at a reasonable price, and with honesty, integrity, and good customer service. We believe these things are in short supply and high demand. So, no matter what your entertainment tastes are, you’ll find something here that you like.
Feel free to contact me with questions, comments, or suggestions at michele@theentertainmentbank.com.
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